Wednesday, March 11, 2009



Meet my Bhaiya and Bhabhi(Payal) or perhaps I should say, Mrs and Mr Goswamy (Junior) now. I cherish them both and have little to say or rather write about them, (which is good considering most of my written work so far is critical in nature or sceptical and questioning). But with them, there is no place for scepticism, doubt, or criticism. And it is good to know that there are no questions or questioning there. I think the picture says it all. God bless them.

Sunday, September 28, 2008

A Wednesday

A Wednesday, the film not only mirrored the times, but also the feeling and mental termoil and irritation of an everyday man in these relatively dark and mindless times of terrorism in the most subtle and stategically imagined way possible. It gives an effective message in the most implicit way. It evokes action and not just a justification of an action, which is what one is accustomed to. Righteous anger was never so deeply singnified before...I think. I love the film. The script seemed to me to be the outward expression of my inward thoughts. Even though the climax offers an element of surprise, which remains intact and in sync with the cinematography, the realisation of that element does not issue out of nowhere but is very much entwined with the understanding which is not instant, but very recognisable and basic.

Wednesday, September 24, 2008

Reflections....on thoughts about the lyrics.....

Lyrics of Teri aankhon mein humne kya dekha...sung by Chitra and Jagjit singh from the Album 'The latest'(1982)

http://www.youtube.com/watch?v=c87oQt5HCd8

Chitra: Dil ke deewaron dar pe kya Dekha....bas tera naam hi likha dekha

Jagjit: Teri aankhon mein hamne kya dekha...kabhi katil kabhi khuda dekha

Chitra: Apni soorat lagi parayee si, jab kabhi humne aayena dekha.

Jagjit: Hai andaz tere rukhne ka, waqt ko bhi ruka ruka dekha.

Chitra: tere jaane mein aur tere aane me, humne sadiyoon ka fasala dekha.

Jagjit : Phir na aaya khayal jannat ka, jab tere ghar ka raasta dekha.

Beautiful thoughts indeed!!!! but so much can be read into them...submissive..joke..profoundness... lets see.

On the doors and windows of the heart I see your name plate. This implies possession of property. so one might feel as if one is placed on a pedestle here, but really is just a trophy pedestle then, isn't it, somewhat of a prized possession!!?

What do I see in your eyes, either a killer's violence or God's endearment?

My reflection feels like that of the other when I look in the mirror. That is an acceptance of Lacan's mirror stage, (a realisation of it) isn't it? ...internalising the other to the degree of losing self identity.

The way you stop, (I am presuming as one is walking...with grace) I see that time too slows down..or rather stops at successive intervals.

(This is followed by the thought...)

I can see an amazing time gap between moments when you come and go.

I mean what is funny here is that had these two lines the same referent(incidentally it didn't, as two lines are sung by Chitra Singh and the other two by Jagjit Singh), then it really does follow from the preceding premise. If time slows down or takes breaks as this person walks or stops then it only follows that there will be an apparent time gap between starting and end point. The whole speed time distance logic follows, you see if the literally poetryt or metaphor is taken too seriously.

I did not think about heaven as I walk towards the place you reside. and the supposition here is that this person thought about heaven on a regular basis.
The implication here is that the place is like heaven. but is it really! Doesn't it imply almost the opposite of that thought. .....then I can't think about heaven as I walk towards your the place where you reside... or then I wasn't thinking about going to heaven when I walk towards the place where you reside.

I mean look at the sheer power of interpretations here.

But trust me the gazal is sung so well, and by such a lovely voices that one cannot but just listen to it and not have these after thoughts.

Sunday, June 29, 2008

Strength of an Emotion called Love or the Struggle for Strengthening ‘Enlightened Love’

Four years back, I wrote a paper Strength of Emotions as part of my Indian Philosophy Assignment mainly based on Vedanta Treatise, a book by A Parthasarthy. I found it kept in folds, submissively, among a stack of papers with a distinct smell, one inhales in flipping through the pages of an old library book. I smiled as I unfolded the paper, pressed it with my hands to smoothen the paper, as a mother would cuddle a small neglected child who locked himself up in dismay in a foetus posture in a dark room. I turned the pages, admired and congratulated myself on how beautiful my hand writing was once, in comparison to how horribly it has aged with me in time. I flipped a few pages carefully, looked at the last page to find Ma’am Makhija’s signature along side my conclusion which was a quote from Bhagavat Geeta, Chapter V, Verse 23. How appropriate I thought. It reminded me of Ma’am Makhija, her presence in our lives, her persona, her guidance, her charisma. I had got 19 out of 25. I must have written something good to deserve that or so I thought and I began reading in nostalgia. But soon I kept the nostalgia aside and realized or rather felt deja vu and it was not nostalgic, but one of becoming, of understanding, my now, myself, in the present moment, in the form of words of wisdom, I once wrote as a defense of Vedanta as a school of thought that didn’t preach emotionalism, but as one which thrives on not becoming a victim to it, is yet not devoid of emotions.

I read an excerpt from Oliver Goldsmith’s poem, The Deserted Village, I had so shamelessly copied. It reminded me of Raj Kapoor’s character in ‘Mera Naam Joker’, with a big clown face and the showman’s smile, big scary, photogenic smile behind the makeup covering his old fat wrinkled face in the movie. The image flashed. Just like that, it flashed, right after I read this…..

“To them his heart, his love, his grief were given,

But all his serious thoughts had rest in Heaven

As some tall cliff that lifts its awful form,

Swells from the vale, and midway leaves the storm,

Though round its breast the rolling clouds are spread,

Eternal sunshine settles on its head.”

One could only guess why this reminds me of that character – an actor, a showman, a joker, a clown, not anything close to a tall cliff with eternal sunshine despite the cloudy mid rib region, but may be his pot belly. His painted face, seems like an awful ‘face’ lift for a person whose life was an open diary, who shared his hopes and dreams with his audience, with expression, and disguised his vulnerability, his truths, his experiences, with that high voltage, oh now so haunting smile. I reflected, on the conclusion of this poem, the metaphor describing the stature of Oliver Goldsmith’s village preacher, on the actor who became unreal in the character of Mera Naam Joker, and reflecting on ‘Mera Naam Joker,’ it reminded me of clumsy me and I read these lines again, only to find them speak to me. I read on further.

‘To have emotions, therefore is a virtue’ I had mentioned back then in continuation with ‘but to allow emotions to interfere with intellectual judgement and awareness is spiritual weakness.’ The latter phrase made me mock at my self (My philosophy term paper was a theoretical discourse of Strength of Emotions!!) and other writers who had written about emotions like love, forgiveness, e.t.c. including philosophers like Plato (for full dialogues such as Symposium with an intellectual discussion on the topic) and Parthasarthy himself for exploring this topic in Vedanda Treatise. The former phrase issued the thought that virtue or no virtue, to have emotions is certainly to be human, and if knowledge is virtue and we are not all knowers of thyself, it made me think how human we are in totality, presupposing virtues to us ‘human’ animals. Anyways, what followed were not these thoughts in the paper I wrote back then, but a connection from Bhagavatgita, Krishna’s wisdom to rehabilitate Arjun’s intellect by slaying his emotions and reminding him of duty and Nishkarma Karma. It made sense to make that connection in an academic work I guess. I reminded myself that this was a paper on spiritual insight and mind control, so questioning the status of emotions as virtues was not appropriate just yet.
What followed was a Vedantic warning (like conditions apply* or parking at owner’s risk) supporting the sentence, ‘The quality and texture of each emotion would depend upon the direction it takes.' Emotions are like medicine, I had mentioned. They must be administered in proper dosage and are used to cure a disease. The same emotion, like the same medicine turns harmful, has poison written all over it if it is taken in concentrated form. Phrases like, ‘the direction it takes’, ‘concentrated form’ made me think about the authenticity of my paper, where I made a case for love as directionless, aimless, all emcompassing, everlasting, omniscient of them all. But then I corrected myself thinking that the direction oriented love, the concentrated form is not love but affection for the Vedandins or what is understood as ‘common love’ as opposed to ‘heavenly love’ in Phaedrus’ speech in Symposium.

What I read on further was in fact more profound and surprisingly more relatable, more profound and relatable than Derrida’s Nonsense about the logistics of Love and Forgiveness. Derrida had actually treated love, an emotion so deep and pure as frivolously as part of
Heidegger’s borrowed metaphysics.

www.youtube.com/watch?v=dj1BuNmhjAY

In a video I saw and I very proudly possess, Derrida is left speechless about talking about love, and wants to instead talk about death. But when pressed, he tries to bring in the who and what distinction in the context of love and babbles between the distinction of love of someone and love of some thing. Then he babbles further. Without even having a clue or view about love, he makes love a past tense in a hypothetical situation and questions the credibility of that love, something he hasn’t experienced, something he doesn’t even understand, something he probably understands as the affiliations of affection and not heavenly love, the directionless, harmonious, one in all, Vedantic love. But what is interesting to cite what he had to say, is that this is exactly what love is not. Derrida questions his hypothetical feelings. ‘Do I love someone for the absolute singularity of who they are?’ (if there is such an absolute singularity is a question itself, let alone a hypothetical one I think). ‘I love you because you are you.’ Derrida points his love, directs it, in the ‘supposed’ singularity. ‘Or do I love your qualities, your beauty, your intelligence?’ ‘Does one love someone or something about someone?’ Even for common love the question is just dumb. A person comes in a complete package, with the part and the whole, with the who and a what, it is just the way of looking at a person that such categories and such wh questions arises. I do not think that some things can be questioned or even if questioned so easily framed as questions, let alone answer them. It is embarrassing what Derrida had to say further. ‘The difference between the who and the what at the heart of love separates the heart’ (I mean Oh My GOD!) ‘It is often said that love is the movement of the heart’ (Maybe in some bad romantic high school comedy that is said, and I am not sure I have heard that, and I have watched many to know). Derrida questions, does my heart move because I love someone who is an absolute singularity or because I love the way that someone is? (So Derrida, Love is the movement of the heart and the movement is explained or meant to be explained by the loving the way someone is, as one of the option, splendid mistake there!)

Interestingly Vedanta can answer Derrida’s ambiguities about the movement of the heart and tell Derrida that he is not really talking about love, but something that Vedanta strongly considers to be diametrically opposite to love, only because it is.

According to Derrida, Love starts with a type of seduction or attraction. Inversely love is disappointed or dies as one comes to realise the other person doesn’t merit our love, the other person is not this or that (as one thought not one person to be, but as this or that one was attracted to initially). So at the death of love it appears that one stops loving another, (again he talks about death of love and appearance of its stoppage) not because of who they are but because they are such and such. This goes on to say that Derrida’s conception of hypothysed past tense love is not that of a person but that of an object. This is to say (and please tell me how again, specially Derrida’s explanation started with ‘this and that’ and died in appearances at ‘this or that’) that the history of love, the heart of love, is divided between the who and the what. With such a short summary on Love (and a bad one at that) Derrida moves to the question of being, of ‘to be’ not understanding how love and being are actually synonymous if understood really. And Vedanta tells us how, at the same time telling us how to not fall prey to a duplication of love, a bad copy, if not of Derrida’s wit because he slipped at many places.

Love is nothing like what Derrida babbles about. I say this with more confidence reading on what vibrated across in the paper I was reading.

Love is being harmonious with one and all. Love means realising your oneness or identity with the other, with the world. The people of the world are like different parts of one’s physical body. To maintain harmony in your body every part of I must consider itself one with the whole. Similarly you must, or rather you feel and realise your unity with your fellow beings, oneness with the entire universe, then you are in love. You are perfect the moment that you are in harmony with nature. (And here I would like to add a little bit using metaphors of the heart.) No one said that this harmony is not going to be painful or excruciatingly hurtful. This is where the clown, Oliver Goldsmith Preacher comes in, with a smile and as strong as a tall cliff to stand erect in the face of all storm. Heart if not a center of love, is certainly a pumping organ which pumps blood throughout the body and perfection of human body requires that the heart ‘beats’. Interesting choice of words there. The heart gets a constant beating in an attempt to survive and attain harmony with the body. Whether the heart wants to beat or not, wants to pump or not even important, the fact is that it just does or the system fails. We just love, whether we want to or not, that is not an option, and love is required to keep it together.

The common complaint is that Vedanta teaches renunciation of love, it teaches indifference. This is not true. What people call love is far from true love or rather truth as love is truth and consciousness, sat cit anand. The concept of love, the Derridian Concept for instance is distorted. The much talked about love is nothing but personal attachment. All personal attachments limit you, they make you dependent, addicted, they make you fall. People say rightly, “You have fallen in love.” Vedanta says one rises in love and wants one to give up this clinging, selfish personal attachment which passes off as love. But this is not to say that one must discard true love.

A man of perfection according to Vedanta is saturated with love or is love infinity. He is likened to a child. The child is all love. It has no motives, no desires, no personal attachments initially. It is the embodiment of pure love, not the lover, but love itself. This explains why the world adores a child. We need to be that child by renouncing personal selfishness and attachments and purifying ourselves of motives and desires and returns and expectations. This may seem idealistic but we need to be that child, we need to stop growing up, that way at least but be in sync with ourselves, our spiritual side which cannot be but like a child.

Attachment is the perversion of love. When we attach ourselves to a particular object or being (here is where Derrida’s who and what can get classified), we automatically detach ourselves from the rest. Attachment is not possible without relative detachment after all. Since the child has no attachment its love is universal. As the child grows the youth falls in love. The youth likes someone in particular. Relatively he develops indifference for others. Parents, brothers, sisters, neighbours, companions, become a burden on him. He segregates himself from all of them. True love is lost. Instead he engenders hatred and jealousy towards every hindrance. All that he desires, craves is his lady love. Such love blinds him to everyone else, everything else. Here again we see a subject object distinction is seen between a lover and love. When people say ‘he is in love’, but actually he is hating the whole world. So when Vedanta says, ‘give up love’ it does not mean to become indifferent, it only means ‘give up hatred.’

(Here is where Nietzsche’s quotes of a woman’s love can be understood) Correct or not (and I know – not) Nietzsche does explain that as a cause for Women’s slavery and tyranny. He says, ‘ In a woman a slave and a tyrant have long been concealed. For that reason woman is not capable of friendship: she knows only love. In a woman’s love is injustice and blindness towards all that she does not love ( here understood as attachment). And in the enlightened love of women too, there is still the unexpected attack and the lightening and night, along with the night.’ Of course these quotes must be understood as meant for all humans animals, and not just Nietzsche’s cows in my vocabulary.

And it is the unexpected attacks the lightening and the night which bothers me, which makes even ‘enlightened love’ human and devastating. It is a smile of Mera Naam Joker, of a clown of a person, an open book who shares and celebrates his pitfalls as jokes. It is the ‘I am fine’ after a clumsy fall which makes me wonder if I am used to bear the pain or pull up a show for the world to see and laugh for fear of being weak and vulnerable or crying in the no tears grown up adult mature world or genuine acceptance of the excruciatingly mundane monotonous harmony of the beating of the heart that runs my system. Is it the real me, who hinds behind conflicting emotions, love and attachment, or an act to be strong? Maybe because it is easier to laugh along with others when one gets up after a clumsy fall, no matter how hard it hurts, and it hurts. When a woman doesn’t cry in the mist of those who do, as there is no point to celebrate dehydration of salty water along with a headache, and smiles instead, is it the ego which stops her, or enlightenment? Is that smile, is that cliff, necessary or natural(intuitive), authentic or an act?

Thursday, June 26, 2008

Good song on a good day for a good day

IT'S A GOOD DAY
Peggy Lee

Yes, it's a good day for singin' a song,
And it's a good day for movin' along;
Yes, it's a good day, how could anything go wrong,
A good day from mornin' till night.
Yes, it's a good day for shinin' your shoes,
And it's a good day for losin' the blues;
Ev'rything to gain and nothin' to lose,
'Cause it's a good day from mornin' till night.
I said to the sun, "good mornin', sun.
Rise and shine, today"
You know you've gotta get goin'
If you're gonna make a showin'
And you know you've got the right of way
'Cause it's a good day for payin' your bills;
And it's a good day for curin' your ills,
So take a deep breath and throw away your pills;
'Cause it's a good day from mornin' till night.

Thursday, June 5, 2008

We MUST not study ourselves while having an experience or does our condition entail that we DON'T or CAN'T study ourselves during experincing?


I loved watching the film called Stardust(2007) where the narration starts with a philosopher's quote,(probably Thales) and ends with '...and they lived happily ever after'.


The quotation is about star gazing and man (are we human because we gaze at the star or do we gaze at the star because we are human?) and the movie is about star gazing at man. Incidentally, and surprisingly, it boils down to another quotation of another philosopher Neitzsche ' We love live not because we are used to living but because we are used to loving.'
That is what the Fallen Star Yvaine, (who fell because she was hit by a ruby necklace which was significant for the heirs of Stormhold to claim the thrown) says that sustains her gazing at earth from the skies.

'I know a lot about love', says a star, a fallen star. 'I have seen it. Seen centuries and centuries of it. It is the only thing that made watching over (your) the world bearable. All those walls...of pains, lies, hate. They made me want to turn away and never look down again. But to the way mankind loves.' 'You can search the furthest reaches of the world and never find anything more beautiful', vouches the star.

Love is what makes life worth living.

Another thought in the movie brings what Micheal de Montaigne had to say regarding one star gazing philosopher in his essay Apology for Raymond Sebond, on knowledge and man. I quote:

" I feel grateful to the Miselian wench who, seeing the philosopher Thales continually spending his time in contemplation of the heavenly vault and always keeping his eyes raised upward, put something in his way to make him stumble, to warn him that it would be time to amuse his thoughts with things in the clouds when he had seen to those at his feet. Indeed she gave him good counsel to rather look at himself than to the sky. For as Democritus says at the mouth of Cicero, 'No one looks underfoot but at the stars.' " But," and this is the key thought of Montaigne here, in this context and in every context, that " our condition makes the knowledge of what we have in our hands as remote from us and as far above the clouds as that of the stars.' Ironically, in the movie, a youth named Trisan promises to gift the fallen star to a girl named Vivian on her birthday for exchange of her hand in marriage, overlooking the possibility that his true love was shining in front of him, the fallen star. Yvaine resists initially and remarks sarcastically (when Tristan has told her that he intends to make her a present to Victoria) "But of course! Nothing says "romance" like a kidnapped injured woman!" Of course the happily ever after demands other than killing the evil witch Lamia who wished to tear out Yvaine 's heart out and eat it for everlasting beauty. So Trisan finally realises that, and tells Yvaine that their captain friend, captain Shake Spear(Robert De Nero) had whispered in his years that 'Your true love is right in front of you' and that the captain was right. Now philosophers are not that lucky. And so continues Montaigne ' As Socrates says in Plato, whoever meddles in philosophy may have the same reproach made to him as that woman makes to Thales, that he sees nothing of what is in front of him. For every philosopher is ignorant of what his neighbour is doing, yes, and of what he himself is doing, and does not know what they both are, whether beasts or men.'
....'We see indeed that the finger moves, that the foot moves; that some parts stir of themselves without our leave, and that others we move by our command; that a certain apprehension engenders a blush, a certain other pallor. Our imagination acts only on the spleen, another on the brain, one makes us laugh, another weep. Another paralyzes and stuns all our senses, and arrests the movements of our limbs. At one object, the stomach rises, at another a certain path lowers down.

But how a spiritual impression can cut such a swath in a massive and solid object, and the nature of the relation and connection between these wonderful springs of action, no man has ever known(but feels still). All these things are indeterminate by reason, and concealed in the majesty of nature, says Pliny; and Saint Augustine: the way in which soul clings to bodies is completely wonderful, and cannot be understood by man, and this is man himself. And yet we never doubt this......

....the reason why we doubt anything hardly is that we never test our common impressions. We never probe the base, where the faults and weakness lies, we dispute only about the branches. We do not ask whether this is true but whether it has been understood this way or that.
....It is very easy to build on accepted foundations what you please, for according to the law and ordering of this beginning, the rest of the parts of the beginning are easily done, without contradictions. By this path we find our reasons well founded and argue with great ease.'

Perhaps thats where we are wrong, to reason everything....the way in which soul clings to bodies is completely wonderful, and cannot be understood by man. This is where sophia stops and philo begins! This is where the philosopher sees the stone, probably even picks it up and keeps it in his pocket, and moves on star gazing. He looks at the Starry heavens above and the moral law within and gets back to business!!

The hope then is to continue to love live and to see it, welcome it and accept it, and not search for it in the skies when the star which gazed back at human confesses to see the way mankind loves, is all that made the star NOT 'wanting to turn away and never look down again'.



"Rule The World"

You light, the skies up above me
A star, so bright you blind me
Don't close your eyes
Don't fade away
Don't fade away

Yeah you and me we can ride on a star
If you stay with me girl, we can rule the world
Yeah you and me we can light up the sky
If you stay by my side, we can rule the world.

If walls break down, I will comfort you
If angels cry, oh I'll be there for you
You've saved my soul
Don't leave me now
Don't leave me now

Yeah you and me we can ride on a star
If you stay with me girl, we can rule the world
Yeah you and me we can light up the sky
If you stay by my side, we can rule the world.

All the stars are coming out tonight
They're lighting up the sky tonight
For you
For you
All the stars are coming out tonight
They're lighting up the sky tonight
For you
For you,

Yeah you and me we can ride on a star
If you stay with me girl, we can rule the world
Yeah you and me we can light up the sky
If you stay by my side, we can rule the world.

All the stars are coming out tonight
They're lighting up the sky tonight
For you
For you
All the stars are coming out tonight
They're lighting up the sky tonight
For you
For you




Sunday, June 1, 2008

Truth is my religion and ahimsa is the only way of its realisation -Gandhi. But is 'truth' even compatible with 'ahimsa' if not contradictory?






Facts interfere with values…..the way to know facts is not the way to know values...then what makes us moral?

Help me out here.

Assumption : Moral sense is a sense of right and what is wrong. Right?

Question: Truth and Ahimsa are they really compatible being in the inherent space of moral correctness, which is the sense of right? Also can we associate the right sense with rights (as in something which we are bound to have and cherish…..like fundamental rights or human rights)?

I want to make a space for these questions with what I am going to argue rather stupidly. I hope that it makes some sense though, even if not moral.

Truthfulness is a virtue, and it would(and it does) certainly turn into an imperative following Kant’s general maxim. Let us see why? In layman terms:

  1. One should always be truthful (to others)?

(Just knowing what is right is not fine in ethics, action is mandatory)

  1. One should always be not none truthful…that is one should not lie. (to others).

From what I am going to argue, the condition changes…..in the above mentioned two sentences.

It should rather be that one should be truthful to oneself and one should not lie to others. But more often than ever the interaction space forces the conditions in such a way that it is hard to be truthful to oneself without also being truthful to others. More on that later.

However based on the general understanding (which will later create a problem) the fact that the value of truth is sustainable via the other is most obvious when one poses the question:

Why should one be truthful?

And if it be permitted that I answer this question with another question while debating and then try to answer that I question:

Why should one NOT tell the truth?

The condition of not comes in, seemingly out of nowhere.

But I want to argue that if the latter question is answered with a because…..then, it comes out of the empirical, out of stupidity of people around us, of the mad fools who live in Plato’s cave and are in self deception and wish to remain that way and throw stones at people who try to tell them. And that they can do this, because each one of those stupid people have the right to ‘self realisation’ but you know what they are too slow and too dumb to get there, which is why truthfulness is a associated with a moral sense. But anyways…….

Similarly let us look at Ahimsa, NON violence.

It is not GOOD to hurt others. Again let us question:

Why should one NOT hurt others?

Answer with question: Why should one hurt others in the first place?

(Again we see it is the negation of the first question in the argumentation)

Why should one not practice Ahimsa?

Now if we let the structure of these obvious interrogations which comes to one’s mind, be intact and change the content to something relatively simpler, something which concerns a child and then something which concerns an adult’s freewill.

It is not good to have candy.

A child should not eat candy (or too much actually).

Why is it not good to have candy?

Why should one have candy in the first place?

Now there are reasons why it is not good to have candy…..it spoils the teeth, but barring that when the question of choice presents itself, then it becomes mandatory ethically to answer it first. This is the case presented for moral policing in the case of smoking, isn’t it, one of free will, despite the obvious answer to the first question which must be acceptable but it clearly isn’t. Otherwise the second question will not be asked.

Smoking is injurious to health. Be that as it may!

When someone uses the imperative: You should not smoke.

Why should one not smoke? (Injurious! Da-ah!)

Answer the question with the question then,

Why should one smoke in the first place?

Life is about making choices (if not living with them but with their results that are so volatile), whether right or wrong but usually there is often an answer, reasonable or not, and as philosophers we try to look for ‘adequate’ answers because there can always be questions on questions overlooking the answers in a USELESS debate like the ones I have mentioned.

Coming back to the questions which need to be answered are about Ahimsa and Truth. Here the choice is of moral one, where right and wrong matters and the answers should not only be adequate but reasonable.

Why should one not tell the truth?

Why should one not practice Ahimsa?

These questions bother me Oh So much!

Why should one not tell the truth? The truth about truth is that it HURTS. So we lie. And not just metaphorically. Look at what Happened to Socrates.

If my answer to the first question is right then Ahimsa is incompatible with truth and this is why one should not practice ahimsa.

So which imperative do we pick, which do we place aside?

That truth hurts, one does not have to look any further away than Plato’s cave as I had mentioned. It hurts the person living in self perception, and consequently it hurts the truth teller.

The Philosopher enters the cave and Neo enters the Matrix, and when he tries to initially tell others that they are living a lie, no one is going to take it lightly if what is told is meant seriously. In a funny sit com a genius physicist gets fired from his workplace because he tells his boss that he is not a real scientist. His mother tells him, ‘I know you are right, but people do not like to hear that’

Socrates told people that the virtues like piety which they had been holding on to, were all wrong, by reducing their arguments to absurdity. But he never gave an answer, if he did really know one, he never told the truth, because he wanted people to ‘know thyself’.

But considering that self realization is so important and that Socrates did infact know that he did not know, then why tell people anything. Why be truthful to OTHERS? To those others who are fools and are not ready to come out of the cave. They have to come out in steps, and they take baby steps. I mean the Republic’s Philosopher ruler is 55 years old, that is when most people almost open their retirement funds here.

In A Few Good Men when Lt Cathy gets Col Jessup to say. Give me answers. I think I am entitled. Col Jessup says. You think you are entitled? You can’t handle the truth….and then the legendary speech which made movie moments. Son, we live in a world with boundaries that need to be guarded, who is going to guard them…you….you use words like honour, courage as a punch line, we use them as a life defending something…….

And while Jessup happens to be the BAD guy is so far as he gave orders for discipline that resulted in death of a person, the Himsa he committed was in accordance with his conception of TRUTH…..the one Lt Cathy could not handle. And so in the movie he lied, he is the bad guy. Or is he really. Truth hurts and so we freaking lie.

I mean who can handle the truth. The closest one gets to truth is by seeing that it is certainly true that they are wrong...because....of the consequences of one's actions, or argumentation flaws.

But even if the argumentation is solid, the intention is good, and one makes all the right choices, destiny takes over or so it seems when we dont get to that second step of what truth is. We learn what truth is not, but never what truth is once we figure what is wrong. Why is it so hard to figure out what is right when we already figure out what is wrong? Where is the hold up. Anyways....

If we have to be truthful to oneself and not to others, then why is it that something in us does not allow us to live in peace if the truth is not told? Why can’t we live in solace? Is truth a moral virtue for others or an egoistic way to let out our thoughts, and in so long as it is our thoughts, how much of epistemological baggage can they be given as truths in the first place?

I am sending these queries to the bright minds out there, or maybe just a void. Do these questions make any sense? Is there a dilemma, the way I see it? Or am I the real dumb one here? Or are others? And if there is, then why aren’t others bothered by such questions? We live with these questions everyday of our lives and there seems to be no answers, because of the dilemma. Or are we just so busy living with our belief systems, superficially assenting and allowing others to have their views as long as there is no conflict and are escapists when there is one, because to actually voice our opinions would be like giving a despotic but brilliant speech by Jack Nicolson in a Few Good Men? Are we all scared to be bad, is that the reason we want to hold on to both Truth and Ahimsa when they do not really seem to be compatible?

Is it ironical considering my query regarding truth and ahimsa not going together for someone like Socrates or Gandhi that in the movie Satya(Truth) there is actually a song indicating violence because of someone's ideas(even if u take the notion of a philosopher's suggestive truth or relativization of truth..Anekantvada and all that jazz...):

'Goli maaro bhejee mein, ki bheeja shor karta hai, kallu mama'
(shoot the brains out since the brain makes too much of noise..its too loud!!).

I do not think that Ram Gopal verma had this in mind, or did he? I don't know, never watched the film.

But on a serious note, Is anybody really bad? What is GOOD? I am just so tired and I can’t seem to solve any puzzle but just weave riddles out of nothing and I do not seem to find any answers, and that is depressing. But while that is depressing, what is even sadder is that people around us are so dumb, so deluded with all the knowledge in the world ironically, that it is hard to sustain a conversation which makes ‘sense’, moral or otherwise for more than 5 minutes and after 3 minutes you are really hoping to go home and watch some good movie to at least get entertained.